Review of Helen Marten’s debut novel ‘The Boiled in Between’ (2020) for This is Tomorrow. Read online here
Review of Sophie Barber’s ‘The Greatest Song a Songbird Ever Sung’ at Goldsmiths’ CCA
I reviewed Sophie Barber’s solo show at Goldsmiths CCA, London, for This is Tomorrow — read the full review here
Review of Ottessa Moshfegh’s ‘Death in Her Hands’ for The Arts Desk
‘I prefer the idea of a writer who wanders or meanders’: interview with Jorge Consiglio
OF: An interview is a particular type of conversation; more specifically, a structured encounter. Fate, on the other hand, depends on…
Jane Dossier
Jane Dossier: interweaving life, sound and film will be available at the Royal College of Art Degree Show, 2019. — Looking…
Jack Otway, Leonard — Peter von Kant
I wrote the exhibition text for Jack Otway’s current show at Peter von Kant Gallery, Deptford, London. The show runs…
Freya Douglas Morris, The Sun Long Night — Lychee One Gallery
I wrote the exhibition text for Freya Douglas Morris’ current show ‘The Sun Long Night’ at Lychee One Gallery. The…
Jerusha West & Anna Baumgart, cord for inner parts — San Mei Gallery
I wrote an essay to coincide with works made by Jerusha West and Anna Baumgart for their collaborative exhibition,…
Overlaps in Circumstance: in conversation with Deborah Bowman
[Forthcoming in the Cambridge Humanities Review, Issue 17.] Dr Deborah Bowman lives and works at Gonville and Caius College, Cambridge, where…
Nicholas William Johnson, Plant Communication Network — Peter von Kant
Some extracts from the exhibition text I wrote for Nicholas William Johnson’s solo show ‘Plant Communication Network’ at Peter…
