Interview with Sin Wai Kin, The White Review, September 2021
Johanna Hedva’s Staining Power
Olivia Fletcher reviews Johanna Hedva’s Minerva the Miscarriage of the Brain for Burlington Contemporary
Tyler Eash: Loreum at NiCOLETTi Contemporary
Review of Tyler Eash’s solo-show at NiCOLLETTi Contemporary for this is tomorrow
Helen Marten’s ‘The Boiled in Between’
Review of Helen Marten’s debut novel ‘The Boiled in Between’ (2020) for this is tomorrow. Read online here
Review of Sophie Barber’s ‘The Greatest Song a Songbird Ever Sung’ at Goldsmiths’ CCA
Review of Sophie Barber’s solo show at Goldsmiths CCA, London, for this is tomorrow — read the full review here
Review of Ottessa Moshfegh’s ‘Death in Her Hands’ for The Arts Desk
I reviewed Ottessa Moshfegh’s latest novel, Death in Her Hands, for The Arts Desk. The full version can be read…
‘I prefer the idea of a writer who wanders or meanders’: interview with Jorge Consiglio
OF: An interview is a particular type of conversation; more specifically, a structured encounter. Fate, on the other hand, depends on…
Jane Dossier
Jane Dossier: interweaving life, sound and film will be available at the Royal College of Art Degree Show, 2019. — Looking…
Jack Otway, Leonard — Peter von Kant
I wrote the exhibition text for Jack Otway’s current show at Peter von Kant Gallery, Deptford, London. The show runs…
Freya Douglas Morris, The Sun Long Night — Lychee One Gallery
I wrote the exhibition text for Freya Douglas Morris’ current show ‘The Sun Long Night’ at Lychee One Gallery. The…
olivia fletcher 