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olivia fletcher

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Johanna Hedva’s Staining Power

Olivia Fletcher reviews Johanna Hedva’s Minerva the Miscarriage of the Brain for Burlington Contemporary

Tyler Eash: Loreum at NiCOLETTi Contemporary

Review of Tyler Eash’s solo-show at NiCOLLETTi Contemporary for this is tomorrow

Helen Marten’s ‘The Boiled in Between’

Review of Helen Marten’s debut novel ‘The Boiled in Between’ (2020) for this is tomorrow. Read online here

Review of Sophie Barber’s ‘The Greatest Song a Songbird Ever Sung’ at Goldsmiths’ CCA

I reviewed Sophie Barber’s solo show at Goldsmiths CCA, London, for this is tomorrow — read the full review here

Review of Ottessa Moshfegh’s ‘Death in Her Hands’ for The Arts Desk

‘I prefer the idea of a writer who wanders or meanders’: interview with Jorge Consiglio

OF: An interview is a particular type of conversation; more specifically, a structured encounter. Fate, on the other hand, depends on … More

Drop City is a fucked up mess…

The following writings begin with and respond to In Proximity and Experimental Film Posters 1964-5, curated by Valerie Santerli and … More

Sitting in an upright chair

Amber Cobb lives and works in Denver, Colorado. Her work in sculpture explores material the way that my mind searches … More

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